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Buddhism
in Nepal
Based
on meditations of GAUTAMA SIDDHARTA,
also called Sakyamuni (wise man of the
Sakya clan) and later the Buddha (Enlightened
one). Philosophical doctrine and code of conduct.
Based on the three jewels, Buddha himself, dharma,
Buddha's teachings and prescribed conduct, and
sangha the community.
Buddha was born in Lumbini,
Nepal around 544 BC. Son of raja (title for
rulers and wealthy landlords) who sought reason
for human misery. Left his family and experimented
and traveled; found enlightenment through meditation
at Bodh Gaya.
Dharma is the doctrine
of four truths discovered through meditation.
- Existence is unhappiness.
- Everything in life brings suffering, birth,
responding to needs and death. Origin of suffering
is in needs, wants and desires of men and
being attached to material values (illusions
of the senses).
- Unhappiness is caused by selfish cravings
or passions.
- Selfish cravings can be eliminated by renunciation
desires and following the eight-fold path:
- Right views, understanding and vision.
- Right purpose, aspiration and intention.
- Right speech.
- Right vocation and honest livelihood.
- Right conduct and action.
- Right effort and dedication.
- Right alertness and mindfulness.
- Right concentration and meditation.
Sangha is community
of Buddhists. Used to mean monastic community
but concept broadened. Showing the path to enlightenment.
About 100 years after Buddha's
death, communities disagreed and split over
ways to achieve enlightenment. Traditional school
of Theravada Buddhists follows Buddha's original
teachings. Mahayana school accepts some
changes, various ways to enlightenment (became
Zen).
Scripts appeared also introducing
changes. Deification of Buddha, and separation
between mortal Buddha like Siddharta who will
reappear, and transcendental ones which are
only understood through meditation (Dhyani Buddhas).
While enlightenment reached through individual
effort, idea spread that meditation Buddhas
give merit to those who worship them. Bodhisattvas
are humans who reached enlightenment but instead
of joining nirvana chose to help others
reach enlightenment.
|
Lama, the devoted people to Buddhism,
can be classified into four groups as
given below |
- Lama : 1 - Nigma – Guru
Padmasambhawa – Origin Nepal –
Sherpa, Tamang, Gurung.
- Lama : 2 - Kagyu –
Karmapa, Syamarpa , Dukpa Rempoche
–Origin Bhutan.
- Lama : 3 - Sakya – Origin
Mustangi Lama -Origin Mustang
- Lama : 4 - Gelegu –
Bhhichhu, Dalai Lama, Panchen Lama,
Lama Jhopa- Origin Tibet
Bodhisattvas (humans that
reached enlightenment), honoured often
are
Padmapani who holds a lotus
flower and is master or reincarnations.
Manjushri is honored as bearer of
wisdom by Buddhists and Hindus. He holds
the Book of Knowledge in the left hand
and a sword to strike ignorance with
right.
Art and Buddhism
A historical look demonstrates that
artistic expression reflects the
religious and ethnic diversity within
the valley. Nepalese art became
prominent in the 13th century through
the work of Balbahu, also known as
Araniko. He was an architect for the
King of Tibet and possibly the Emperor
of China. Nepalese art is recognized for
its candour ,simplicity and harmony
finely balanced with intricacy and
decoration. The Malla dynasty promoted
all forms of artistic expression from
the 14th to the 19th centuries, it was
during this time that most of the
temples and famous works on art to be
seen today within the valley were
constructed. Tibetan forms of
expressions influenced art in the valley
beginning in the 17th century, Tantric
and Buddhist themes introduced greater
differentiation between Nepalese and
Indian art.
Ninth Reincarnation of Vishnu :
1 : Adibuddhas : (
Swayambhunath stupa is dedicated to
Adibuddha )
Vajradhara ( wielder of the
Thunderbolt )
Vajrasattva ( Soul of the
Thunderbolt, He is also considered as a
priest of Dhyani Buddha ).
2 : Dhyani Buddha : (
Buddha in Meditation )
Vairocana: ( Brilliant light, centre
direction, White colour, Lion, Ether )
Akshobhya: (Unagitated, East direction,
Blue colour, Elephant, Water )
Ratnasambhava: (Precious Birth, South
direction, Yellow colour, Horse, Earth )
Amoghasiddhi:( Infalliable power, North
direction, Green colour, Garuda, Air )
Amitabha: (Infinite Light, West
direction, Red colour, Peacock, Fire )
3 : Manusi Buddha : ( Mortal
Buddha )
Krakuchanda
Kanakamuni
Kasyapa
Sakyamuni
Maitreya
4 : Buddha
Dipankara Buddha
Kasyapa Buddha
Gautam Buddha
Maitreya Buddha
Bhaisajyaguru Buddha
5 : Dhyani Bodhisattvas : (Spritual
son of Dhyani Buddha )
Samantbhara
Vajrapani
Ratnapani
Avalokitesswora
Viswapani
Manjushri
|
Tantrism
Movement from with the Mahayana school
appeared in first century AD in fringe areas
of India. Hindus and Buddhists came into
contact with animist religions and integrated
beliefs and practices. Yoga, physical exercises
to control body functions, mantras, repetitive
utterances, bijas, magic syllables, use of designs
and objects such as mandala and dorje. Transformed
into Lamaism which penetrated also into
Nepal. Purpose was to shorten the road to enlightenment
with such practices.
Prayer Flags and Prayer
Wheels take prayers to the sky, to the divinities.
Idea that movement creates power. Prayer wheels
rotated clockwise to send mantra to the divinities.
Usually brass cylinder with pre-Sanskrit script,
ranja, writing. The wheel contains parchment
like paper upon which the Tibetan incantation
OM MANI PADME HUM (image top) is repeatedly
printed. Some rough translations of this mantra
are
Oh, the jewel (mani) concealed
in the lotus (padma) ah.
One specific interpretation of
this incantation is that of a prayer the Boddhisattva
Padmapani who controls reincarnation
Oh, Padmapani, give me
the jewel in the lotus, which is the blessing
on non-rebirth or attainment of Nirvana through
the acceptance of the Buddhist doctrine.
A more general interpretation
is Oh, may the jewel remain in the lotus, meaning
may Buddha's teachings remain pure in our minds
and souls.
Vajra or Dorje looks like
two crowns with bases attached by a metal ball.
Each crown has four outer spokes and one inner
spoke to represent the meditation Buddhas,
united at the top to convey that they are but
one. Means "thunderbolt" symbolic
attribute of Hindu god Indra who is the divine
power of natural forces, and the "diamond",
the substance that is translucent and unbreakable.
The Dorje is primarily a symbol of power but
is also a representation of the male.
Ghanta, the bell is bronze
and topped with crown shaped handle. The bell
symbolizes the female. In a metaphysical sense,
male represents knowledge and female represents
wisdom. Both important to rituals.
Statues and temples for
Buddha or to Bodhisattvas.
Chaitya, a somewhat conical
stone structure, shrines for gratitude or worship.
Always show four statues representing each of
the dhyana-Buddhas or meditation Buddhas.
Facing north, Buddha Amogasiddhi
with right hand upward and palms outward to
express fearlessness and blessing (associated
with green).
Facing east, Buddha Akshobya,
right hand outstretched with fingers touching
earth calling Earth-goddess to witness that
Buddha resisted temptations put forth by demon
Mara who was trying to lure him away from his
meditations. Also thought of as calling to witness
Buddha's deserving supreme enlightenment. (blue)
Facing south, Buddha Ratnasambhawa
with right hand palm outward to express compassion.
yellow
Facing west, Buddha Amithaba,
two hands folded, resting on lap in meditation.
red.
Some chaityas or scrolls
show a fifth central figure, the Buddha Vairocana
who is above or in the middle of the previously
mentioned four. Hands folded in front of chest
he is perfect sovereignty as "turning the
wheel of the Buddhist doctrine." white.
Another common Buddhist statue
is that of the Tara, either white or green Tara.
Were the two wives of Srong Tsam Gampo, King
of Tibet that they converted to their faith,
Buddhism. Deified.
Bodhisattvas honored often
are Padmapani, holds a lotus flower and
is master or reincarnations. Manjushri
is honored as bearer of wisdom by Buddhists
and Hindus. Holds book of knowledge in left
hand and a sword to strike ignorance with right.
A historical look demonstrates
that artistic expression reflects the religious
and ethnic diversity within the valley. Nepalese
art became prominent in the 13th century through
the work of Balbahu, also known as Arniko,
an architect for the king of Tibet and possibly
the Emperor of China. Nepalese art is recognized
for its candour, simplicity and harmony balanced
with intricacy and decoration. The Malla dynasty
promoted all forms of artistic expression from
the 14th to the 19th centuries. Tibetan forms
of expression influenced art in the valley beginning
in the 17th century. Tantric and Buddhist themes
introduced greater differentiation between Nepalese
and Indian art.